Is food photography possible in a small kitchen with small kids and frozen shoulders (mentoring post)?

I know that there is a handful of people here who like when I talk photography so I thought I will share with you how I resolved the problem of set ups and children in a small kitchen. I wish it occurred to me earlier but if it wasn’t for the frozen shoulders and my obtuse refusal to give up on taking photos, I would have not come up with it. If you have ever suffered from this condition, you know the pain and you know the catastrophising whisperer who is attached to it, i.e ‘I would never be able to do landscape photography. There is no way I can lift up my gear’ or ‘I would never be able to lift my elbows above my chest and get a decent photo.’ Well, it so happens that we do not always need to lift the camera above our chest to take a decent photo and we do not need kitchen surfaces to take them either.

It is ironic to some extent that it took me two frozen shoulders to see that I was quite limited in my thinking about food photography and my ability to do it in our circumstances. Limiting beliefs are good to discover for oneself simply to stay clear of too. This is what I used to think:

I thought that my kitchen was too small to take the photos of what we cook.

Obviously, I was mistaken.

I used to think that I need to make the surfaces empty to photograph the food we cook.

I was in the wrong about that.

I used to think that I would not be able to protect my set ups from my children’s hands.

I laboured with a false belief.

I used to think that having two frozen shoulders would mean I would not be able to handle my heavy camera.

I placed more trust in myself and my slow recovery.

I used to think that I must use the available daylight when I cook to have decent food photographs.

Where has this conviction originated?

To make your dream come true of taking photos of the food that you cook while you handle the kids and perhaps the partner that loves his cooking too, empty one drawer in your kitchen. If your situation is similar to mine, health-wise, use the lowest drawer available so that you can point the camera downwards. Create a set up in there. Choose your surfaces, clothes, trays, etc. Keep it all there and when the food is ready, plate it and rearrange it in your drawer to suit your taste. Take a photo.

I have chosen the lowest drawer in a shaded area in my kitchen where not much light gets in. I wanted to use a ring light to have full control over the brightness and the direction of light. I was bending the ring sideways to create artificial shadows for some photos. For brighter compositions I photographed directly from the top just through the ring light. Sometimes I squatted too and took photos from the side while the light was above the food.

In order to hold food in one place I use a wreath ring and I cover the wreath with a cloth. It is also useful for holding soup bowls or other dishes.

Happy with the results.

One step further to creative living with what we’ve got.

Just a second

‘Just a second. I don’t want to throw them away yet.’ I remarked to my husband while we were cleaning the kitchen and reorganizing it to accommodate my functioning with two frozen shoulders. The plates and cups moved out of cupboards to lower surfaces and the pots now are within reach for hands that somehow it seems became shorter in the space of just few months. I had my grip measured today by the physiotherapist and while his grip was as strong as 56kg, mine was as much as a round 0 so I’m cooking in lighter pots now and I’m trying to surround myself with soft and delicate objects to touch, wrap myself in and sleep on too. I notice that soft fabrics ease the pain immensely as I suppose the nervous system is running this show as much as the joints, muscles and bones.

My camera work has taken a back seat for a moment. I am quite frightened of the camera’s weight and the repercussions of holding it for too long and too high but nothing is ever lost for the stubborn-hearted, right? I am using the time to make some sensible rearrangements that support creative with restricted hand movements. I’ll write a few posts on this soon. It is tough. I’ll be honest. Very tough at times and I’m cursing and crying sometimes at once and of course I fail not to mention the word ’embittered’ too many times to my friends while describing my moods. But then, I remind myself that I still have my index finger working quite well and, you know, photographers do not blame people, God or circumstances, they use this finger in different ways. So I remind myself to live by the standards of the profession and to search for the light. :)

Writing is taking me to various places at the moment. I have been trying to voice difficult thoughts to myself sensibly before I share them with others. Inner-dialogues have got this ability to get very complicated if left untreated, don’t you think?

My son has just started his secondary school and it pleases me to see him searching for his literary voice and that he is indeed enjoying his English homework. There is something about working with a dictionary that gives us rest and reassurance. All of a sudden everything has a meaning..

How have you been lately?

On coming back to oneself

“Mum, I do not think that people lose talents. I think that they disconnect from them and then God gives them tasks that will help them come back to themselves and make them reconnect with their talents again” said A. the other day as if answering the question set to him by the universe while looking at the passing clouds through our orangery’s see-through roof . Kids, they just get it, don’t they? Often much earlier than we do.

Trust

When I started writing Postcards Without Stamps I was following Inked in Colour and I was very inspired by Sash’s letters to her daughter that create a beautiful and thoughtful dialogue with Bo. Some of Sash’s photographs also stick in my mind till this day, especially the one of her daughter holding a feather as if giving a challenge to her mum to write for her (link to her post here). Of course, this is most likely my own projection onto the photo and a reveal of my own sub-conscious need to express love through writing which wants to be met here.

The post below is not a letter as such but perhaps a poem or a lyric to a song and it is just one of those things that wanted to be written.

There I will be

There are moments in life when past and present collapse into one.

When the future is impossible to predict and days impossible to plan,

when tomorrow seems too distant to arrive – in those days, my Princess,

there I will be

your Trust.

When your life will seem too much to handle, there I will be, my Princess, your Trust.

When the pain of regrets will swallow your courage, there I will be, my Princess, your Trust.

When your joys will dissipate and where the hopes will turn into ash, there I will stay my Princess,

your Trust.

In the cities of angels

Someone always keeps an eye on you.

Trust.

on unresolved grief

'I cannot hear you anymore.'
'Is that a bad thing?'
'I think so.'
'What can you feel instead?'
'Stomach pain.'
'What does it say?'
'That I miss you.'
'You are so sweet.'
'No. Very bitter in fact.'

~ Alicja Pyszka-Franceschini