(...) When ego bursts It makes space For the other...
Alicja Pyszka-Franceschini, Autumn 2024
From the anthology On Immaturity (not yet published) by Alicja Pyszka-Franceschini Photograph: Alicja Pyszka-Franceschini, Ambergate, The Birches, Derbyshire, UK
(...) When ego bursts It makes space For the other...
Alicja Pyszka-Franceschini, Autumn 2024
From the anthology On Immaturity (not yet published) by Alicja Pyszka-Franceschini Photograph: Alicja Pyszka-Franceschini, Ambergate, The Birches, Derbyshire, UK
How have you been lately? We are in the National Tree Week in the UK right now and it seems utterly wrong to me not to acknowledge it. In the simplest of terms possible, trees keep us going, don’t they? To them and because of them. Sometimes it is their depth that invites us, other times it’s their shadow. Kind enough to overlook our mischief, tender enough to sense our sadness, generous enough to handle our joys. We return energized after reconnecting with their and our essence. We become ourselves and I guess that British English informal saying ‘To be out of one’s tree’ (meaning to behave somewhat crazy) is to a large extent an indicator of our reliance on trees for long-lasting sanity. It is a shared feeling, isn’t it?
Well.. to give trees and our connection to them a just thought and an appreciative stance, I wrote a few verses for this week and read a few pages of The Power of Trees by Peter Wohlleben to get myself into the topic. It is one of my favourite texts on trees and a consistent inspiration for me as the novel that I am writing is primarily based in an ancient woodland. Alfred Wainwright, a British walker, illustrator and the author of A Pictorial Guide to the Lakeland Fells, gave himself 13 years, if I remember correctly, to finish his guides, I haven’t given myself that much time but my novel finds it hard to become a coherent piece. Nonetheless, I plan to finish it by the end of July 2026. It is a labour of love and I would like it to stay so. Are there any texts among your favourites that speak of trees and forests?
After I wrote the post about The Gita for Children by Roopa Pai, a few amazing things happened. One event led to me receiving the original Gita by post from someone. We were also invited to a lecture on the differences between Christ and Krishna (photos soon). I embraced it all because sometimes The Essence wants to come to us through multiple channels. I know that the Gita takes nature seriously and I am very curious of its approach to it. After all, our spiritual lives are one of our primary influences in shaping our ecopsychologies and our mindsets for scarcity or abundance, gratitude or non-recognition.
Hello you, Tree. Make us See. That without you, The course of life Forgets to breathe And goes wrong ways.
Through the dungeons of politics As dense as a carved slice of fog Placed in a jar of uncast votes That suffocate the future.
The tree, oh comfort and respite.
It stays potent and flexibly solid With its roots extending to neighbouring hills and branches simultaneously strong and tender protected by years of genetic experience against the utterly predictable forces of chaos.
The tree sways and it is its strength.
Chaos reigns Itself out of recognition. And it is its catastrophe.
The tree makes only one promise. To grow It gives you oxygen In partial compensation for space taken. As if it had to…
Furniture, instruments, books, crayons, utensils Firewood, bird-nests, frames and sledges are the givens within but in fact beyond expectations. This is how the tree excels Even after death.
If you like being inspired by woodland photography, see Nigel Danson’s Gallery for woodland and landscape photography. The gallery feels like a gentle massage for the mind and I can assure you it will be one of those moments of giving oneself some caring love to look through Nigel’s photos. They are great pieces of art. Enjoy them.
And let me know, how you are, will you?
The photos were taken in The Birches, Ambergate, Derbyshire as well as in our local park in Derby.
The Society of Authors has recently justly expressed in ‘The Author The Journal of the Society of Authors’ its strong disapproval regarding authors’ work being sent to to A.I. generators to create texts for education. This is apparently frequently done without authors’ permissions or consultations. Similar doubts, I suspect, appear among online writers and bloggers who simply worry that their writing style, crafted for years, would be hacked into and reproduced in multiple ways depriving the original author of their well-earned and unique voice. These worries are of course not alien to me and I do often question online publishing knowing at the same time that a lack of online presence reduces greatly my own verbal productivity and outreach to minds that also like to create with words (or images). That said, on examining my own writing styles, I can simply say that I am also made out all that I read over the years and my own inner A.I. brain is defiantly activated when I read or hear good writing. Tuning into styles is very common for language learners and decoders and I think it is our common pleasure, just as artists like to create a bit in the style of someone.
A long time ago I attended a photography talk at a camera club given by Paul Mitchell on woodland photography. I do remember being very much inspired by his work. To copy Paul Mitchell is impossible but to embrace his appreciation of the subject does not require much, especially if you happen to grow up next to a forest but were somehow dissuaded from heading that direction and then felt cheated when the adults went there themselves just before Christmas to find evergreens to decorate. ‘So is the forest safe or unsafe to visit?’
I know what answer The Woodland Trust would give, especially when it comes to visiting their trees, ferns and fungi..
I have been writing for a while now some poetry and fiction that features little bits or significant elements of the woodland and I am overcoming my fear of being eaten by the A.I. monster. I hope you will find it enjoyable and I hope you will visit your nearest woodland soon before all the leaves are hijacked by the wind and pathways turn to mud.
Apparently, it’s going to be misty tomorrow… time to get the cameras ready.